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chorus

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 8/16 Acte 1 : Coro Scena 10

Papibois

1:12	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	7	6	7	100%
		28	28	8	7	98%
Belcore		16	0	3	6	63%
Basse		7	0	1	5	38%
Ténor 1		8	0	1	5	36%
Ténor 2		8	0	1	5	32%
Soprano 1		7	0	1	4	16%
Soprano 2		6	0	2	4	16%
Nemorino		5	0	1	4	4%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	34	4	6	100%
		22	14	3	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	34	4	6	100%
		22	14	3	4	100%
A		9	0	1	5	76%
S		11	0	3	6	76%
T		8	0	1	5	76%
B		12	0	1	7	71%
Dido		6	0	0	5	24%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		19	0	6	7	87%
		20	0	7	5	69%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		19	0	6	7	87%
		20	0	7	5	69%
Viola		18	0	3	6	66%
Violoncello		18	0	2	7	66%
Contrabass		22	0	4	5	65%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		16	0	3	8	100%
Violin I		17	0	3	7	100%
Violin II		20	0	4	8	100%
Double Bass		16	0	3	7	97%
Alto		13	0	3	6	81%
Soprano		13	0	3	7	81%
Bass		15	0	3	7	75%
Tenor		13	0	4	6	75%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	37	8	7	100%
		31	43	8	3	100%
Hoffmann		14	0	3	6	75%
B		10	2	1	3	25%
T		11	10	2	3	25%
S		11	5	1	3	24%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Messiah| No.07: And He Shall Purify

Pete Alan

2:54	Est. Play Time
58	Measures
	1,999Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
Bass		17	0	6	6	81%
Tenor		13	0	4	5	74%
Soprano		13	0	3	6	72%
Alto		15	0	4	6	71%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
Violins		24	0	5	8	91%
		24	0	5	7	91%
Fagott		22	0	4	7	91%
Cembalo		23	49	6	7	87%
		26	72	5	7	84%
Tenor		15	0	4	5	82%
Oboe		15	0	4	6	74%
Soprano		15	0	4	6	74%
Alto		12	0	2	6	69%
Bass		15	0	3	6	65%

Messiah| No.12: For Unto Us A Child Is Born

Pete Alan

3:18	Est. Play Time
99	Measures
	4,950Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott		19	0	3	6	100%
Violoncellos		19	0	3	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott		19	0	3	6	100%
Violoncellos		19	0	3	6	100%
Cembalo		26	113	4	6	92%
		25	68	3	6	96%
Violins		14	0	2	6	77%
		19	0	3	7	81%
		19	0	3	7	81%
Oboe		13	0	2	8	72%
		16	0	2	8	72%
Alto		12	0	2	7	66%
Soprano		13	0	2	7	66%
Tenor		12	0	2	7	61%
Bass		16	0	3	6	58%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere»

Papibois

2:12	Est. Play Time
87	Measures
	1,101Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	32	5	4	100%
		25	27	4	4	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	32	5	4	100%
		25	27	4	4	86%
Nemorino		12	0	2	5	84%
Belcore		13	0	4	3	69%
Basse		12	0	3	4	68%
Ténor 1		11	0	2	4	68%
Ténor 2		13	0	4	4	68%
Adina		13	0	3	6	66%
Giannetta		15	0	3	3	63%
Soprano 1		10	0	1	3	63%
Soprano 2		11	0	2	3	63%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 1

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

HWV56N22 - Behold the Lamb of God!

edward.maurath

3:15	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	60	6	9	100%
		16	25	3	7	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	60	6	9	100%
		16	25	3	7	97%
Violin I		17	0	3	8	100%
Violin II		20	0	4	11	100%
Cello		16	0	3	7	97%
Viola		16	0	3	11	97%
VNE		16	0	3	7	97%
Alto		13	0	3	7	81%
Soprano		13	0	3	9	81%
Basso		15	0	3	7	75%
Tenore		14	0	4	8	75%

HWV56N41 - Let us break their bonds asunder

edward.maurath

2:22	Est. Play Time
67	Measures
	1,190Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		7	2	0	4	6%
		22	1	4	7	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		7	2	0	4	6%
		22	1	4	7	100%
Cello Continuo		22	0	4	7	100%
Violone		20	0	4	7	100%
Viola		20	0	6	5	99%
Vln I		24	0	5	7	91%
Vln II		24	0	5	6	91%
Tenor		15	0	4	6	84%
Organ		15	40	4	6	81%
		13	19	1	6	70%
Soprani		15	0	4	6	75%
Alti		12	0	2	6	70%
Bassi		15	0	3	6	66%

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